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ENGLISH MUSIC: From YEARS ' 60 TODAY
MYTHICAL YEARS ' 60 To LONDON
To London rock the sound everywhere: to the stage of Wembley, on the sidewalks, to the Royal Albert Hall, in the metropolitan, the discopub, the nocturnal premises...
All are upgrade them musicians, all are upgrade them manager. Fatal encounter and magical moments have happened in the parks, on the sidewalks, even on the roofs of London. The talent-scout they intercross like submarines the clubs and the bars, perennially to hunting; the record ones make war in the headquarters them behind Oxford Street. And if stopped to listen to some musician of road, it is sure that sooner or later behind the angle, dulls theirs press-agent, ready to sell the tape to you recorded in just.
It is not a case that pedestrian light music has given to London the strisce more famous of the world, treaded on every day from tourists who make themselves to photograph like the Beatles in the cover of "Abbey Road". They exist quite tour dedicates to you to the historical places of light music; To see the old one centers them Electrical worker (To strike it Power Station) on the Tamigi that it has made from background the cover of "Animals" of the Pink Floyd, or the old Rainbow theatre, the "house" of the Genesis (hour converted in garage) or still to see the studios where they recorded the Beatles, their houses, the house where it has lived the last Freddy years Mercuries, the house where it inhabits Madonna...

Freddie Mercury
The fact is that London never has not been stopped on the bay ones and it has not never stopped of being the world-wide understood one them of music POP and rock. Sure the market American is richer, but it is from here that the ideas come: the reggae giamaicano it has even had to move itself on the Tamigi in order to make yes that Bob Marley found microphones adapted in order is made to listen from all the planet.
Here the record labels are been born independent that have made the history of the discografia: Island, Carisma and Vergin, ended then in the hands of the multinationals. And today the independent label that commands is the Creatio with to head Alan McGee. E' he that uncovered and the Oasis, the quintetto has launch some year ago of Manchester, guided from the siblings Noel and Liam Gallagher: 30 million discs sold all over the world.

Oasis
"This is POP" sang in the years ' the 80 XTC, other beatlesiani group of decided matrix like the Oasis. And the private POP previews screw mental patients, forbidden pastimes, scandals and subjects of gossip. Between several scandalistici newspapers those phenomena of juvenile bands are passages to good straight all fruit of marketing very lead from skillful manager; we remember quarrelsome the phenomena gia tramontati of the Spice Girls and the Take That. Groups that have sold million discs and collected migliaia fans all over the world; groups from whose ashes are been born elements of advanced level like have happened for Robbie Williams; fired in log from its it connects after a night of stravizi and dealt data for, to a step from the suicide, rude the Robbie has found the force to record a disc, demonstrating its dowries of composer and interpreter, and succeeding in sbancare botteghini with that one and the successes to you album.
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Released feelings the flood of the so-called Brit-POP, a kind to which no musician it supports to belong but that it frames a beautiful one po of groups of able qualities to dominate the classifiche (we remember the Blur, historians you avail again of the Oasis, the Pulp, carismati to us the Verve, today in the clubs it is listened to and they is danced stirring kinds and generations: The famous ones are churned, uniforms between tecno-punk and drum' n bass. Faces not just recommendable, hard, ossessiva music, attitudes exasperate to you. But also amazing melodiche, meditative openings like for the Coldplay and Devid Gray,
 
Coldplay
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As always it has succeeded from the times of the Beatles and the Rolling Stones, the Who and the Kings, London does not lose the defect to experiment, removing the satisfaction of being rewarded from the market. The result is that the more extreme styles cohabit with more traditional musical kinds, nevertheless "progressive": the Radiohead, for es., transmits a restlessness of which a time the megaphone was the Pink Floyd.(that they began to exhibit itself between them walls of the UFO Club, in Tottenham Court Road. On the crest of the wave they always remain but, also "old" the Elton John, Eric Clapton, David Bowie (that it made tendency with its "Glam", a noisy way to put in extension the mutations of just I, aneroid and bisexual, needy to contaminate the own image), and many others that have made the history of English music of years ' 70, like the mythical rock progressive of the Jethro Tull, Genesis and Yes or Sex Pistols, Clash and the Queen with Freddy Mercury on all. The reggae, see again and corrected it becomes the ska of the Madness, than in its turn, in hand to the Police di Sting, succeeding becomes qualcos' other of.
Just according to the flow of a complex and multiethnic city as London many artists are today it succeeds in to you to create musics whom, after the jolt of the season of rave (the party illegal made up of Techno it organizes to you in zones discharged of London to the end of years ' 80), absorb the thousand stimuli of the understood one them, creating music for all the tastes and all the present generations and future.

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